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“There’s something deceptive about technology,” says projection designer Peter Nigrini, one half of the duo currently nominated for a Tony Award for Beetlejuice ’s lighting design. “There’s actually an incredible amount of technology involved in oil painting: What are all the colors, what are all the pigments, what are all the varnishes? But we don’t think of oil painting as being a technological art form.” And yet, that’s exactly what projection and lighting design are. And while set designer David Korins deservedly earned a Tony nomination for his work on Beetlejuice, the difference between the set with and without the lighting and projections is startling. That's why Playbill stopped b... Full story

2 June